Maton Heritage Electrics

The Golden Era Relaunch

The go to market strategy, repositioning and relaunch of Maton's much loved electric guitars.

Maton heritage electric guitars

The Fyrbyrd, the Goldline and the Wedgetail are among the most original electric guitars ever built in Australia. This asks what the Golden Era would look like if it landed tomorrow.

Client
Maton Guitars · Melbourne, est. 1946
Discipline
Brand strategy · Art direction · Design
My role
Concept · Art direction · Build
Status
Concept — Pre-Launch
01

The premise

If the Golden Era landed tomorrow

Maton built a run of electrics in the 1950s and 60s that looked like nothing else coming out of Australia — offset bodies, chrome-covered singles, a shark for a mascot and advertising to match. Collectors have tracked them for decades. The company itself keeps the story in the archive.

This is a concept: a relaunch of that catalogue as if it were being brought back now, worked up far enough to be judged rather than described.

02

The lineup

Three weapons, one bloodline

Fyrbyrd

The Sharkbite, rewired

The original offset outline, 25.5in scale, coil-split through the Sound Barrier switch, Bigsby, Fyre Red or Moon White with a red guard.

Goldline

Compact fury, modern electronics

Short-scale solid body at 24.75in, dual P-90-style singles with hum cancel, painted gold edge carve and aged binding.

Wedgetail

Honduras mahogany, double-cut

Triple metal-covered singles, Moon White with a Fyre guard, built for fuzz, phasing and feedback.

Sound

A soundtrack each

Wet reverb and salt-air twang for the Fyrbyrd; slapback and stage swagger for the Goldline; kaleidoscopic psych for the Wedgetail.

03

The anatomy

What makes a Maton a Maton

The relaunch is argued from the details the originals were actually sold on, not from nostalgia. Four carry the range: the aggressive offset silhouette built for upper-fret reach and stage recognition; the Sound Barrier switch, with silent pickup selectors and a break-thru toggle for solo lift-off; the Slim Free-Action neck; and vibrato units routed flush to the top.

Each is drawn from period advertising and presented as an exploded technical view — the same claims the 1960s catalogues made, given a modern reading.

A New Sensational First By Maton.

04

The art direction

A visual language worth pinning up

Comic-ink linework, heavy black rules, halftone and a palette of cream, Moon White, Fyre Red and gold — the register of the original press advertising rather than a modern guitar site.

The period voice is kept intact and used as furniture: Real Fire in the Fyrbyrd, The Sharkbite Has Arrived, Est. 1946 · Sharkbite Approved. It closes on a poster wall, because that is where this range lived in the first place.

Gallery